Great Times Club Tour Live-Last concert in Shanghai
大时代歌厅演唱会-上海收官站
CONCEPT : Cao Fei / Hu Zhenchao
DESIGNER : Hu Zhenchao / Liu Caichen / Ni Simiao
CLIENT : Modern Sky
YEAR : 2025 Exhibition & Event

Wu Tiao Ren「The Great Times Club」- Last concert in Shanghai ,The main visual "Knocked CD" was first set by the concert's artistic director Cao Fei. "Knocked CD" refers to the audio-visual products that are backlogged in the Western market and imported as plastic waste, but circulated in non-mainstream channels across China as audio-visual products. It originated in the early 1990s and is a unique cultural product and cultural phenomenon in China. The coastal areas of Guangdong are the main entrances for knocked CDs. At that time, the band's main creators A Mao and Ren Ke made a living by selling knocked CDs and absorbed music nutrients.
The Shanghai concert, the visual is further upgraded, retaining the knocked CD elements and combining them with a mirror. This is a gaudy and cheap mirror - the earliest memory comes from the factory dormitories or ordinary families in the 1990s. Every household has this round mirror. That was the era of personal aesthetic consciousness awakening and reform and opening up. Every little person in the great era has the power of beauty and the power of love.

大时代歌厅——五条人巡回演唱会，上海收官站。主视觉“打口碟”最早由演唱会艺术导演曹斐设定。“打口碟”是指西方市场积压的音像制品处理后被作为塑料垃圾进口，却以音像制品的身份在中国各地的非主流渠道进行流通，源于上世纪九十年代初，是中国特有的一种文化产物和文化现象，其中广东沿海是打口碟的主要入口，当年乐队主创阿茂、仁科便以贩卖打口碟为生，同时汲取音乐养分。
上海站演唱会，视觉进一步升级，保留打口碟元素，并将其与镜子相结合。这是一款艳俗廉价的镜子——最早的记忆源于九十年代工厂宿舍或普通家庭，家家户户都有这面圆镜，那是个人审美意识觉醒和改革开放的时代，大时代里的每位小人物都有美的权力、爱的权力。

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